A Mesmerizing Intermezzo

Andrew von Oeyen is a dazzling pianist. Not many people can do all those tricks on the keyboard—so fast, all from memory, and with such swagger. The critics regard Mr. von Oeyen as a gifted performer mature beyond his playing years. And he is clearly a talented showman. But what do his audiences think? What do they really feel during and after his recitals?

Pianist Andrew von Oeyen

I for one was astonished by his speed, precision, and superhuman control. At the same time it felt a little like going to the circus and watching an acrobat do a few death-defying leaps and take several exciting risks with undeterred confidence before jaunting toward the audience, bowing rapidly, and skipping off stage. You’re breathless in the moment, but the experience leaves no residue.

In the case of Andrew’s Spoleto “Intermezzo” performance at St. Matthews Lutheran Church, I remember what I saw, but quickly forgot what I had heard. His rapid-fire showcase, impressive as it was, superseded the music. It muddied the musical message. It was, unfortunately, too much ado about the performer.

Who doesn’t admire brilliance and would not love to have more of it? But the question is to what end? Certainly, when artists themselves remain pure instruments, everyone—especially the performer—is rewarded in unexpected ways. It is a secret of great art and of the greatest talent. ¶

Want to hear a very different perspective? Read Lindsay Koob’s review for the City Paper.